We’ve focused on (longform and Twitter-length) reviews and examined the value of film’s more visual aspects (frames, shots) but for this week, we’ll be focusing on the aural components of film as well as the ways in which we can use sound software to produce multimedia compositions. As usual, below are a couple of examples to look at before class next week:
– Pop Culture Happy Hour: Frozen Princesses And Character Deaths
NPR’s Pop Culture Happy Hour usually discusses pop culture related issues in their podcast. Coming off of the Disney Tumblrs and Paperman (2012) as well as Frozen’s status as one of the only two movies to be cited twice in everyone’s Top 5 Favorite Films, this is as good an episode to listen to before class.
– Other examples of this type of podcasts can be found at The Guardian (The Guardian Film Show) and at Slate (Slate’s Spoiler Specials). The Dissolve (a new-ish site on filmmaking also has a recent string of podcasts worth looking at, as they mix up panelists and format).
– Since we just saw Black Swan (2010), take a look at this supercut which looks at “The Sounds of Aronofsky”
– And this video which details the sound work on the film:
– Here is an example of Black Swan (2010) being remixed with music from Aronofsky’s collaborator, Clint Mansell, from their earlier film, Requiem for a Dream (2000). (A similar attempt can be found here)